2008 Oscars - 2008-02-18 8:17 PM
Fox News:
- At last, it’s Oscar week.
On Sunday, we’ll finally get to see who was right: the critics, the audience, the bloggers, the Hollywood Foreign Press or the Screen Actors Guild.
Right now, the odds-on favorite for Best Picture has to be the Coen brothers’ “No Country for Old Men.” The Coens have won everything so far. Javier Bardem is a shoo-in for Best Supporting Actor unless the Academy feels sentimental for Hal Holbrook.
What could screw up the Coens’ chances? If the Academy splits their vote between “No Country” and the similar in tone “There Will Be Blood.” Then things could get interesting. “Michael Clayton,” a big studio movie, might be the beneficiary. “Juno” could be, too. The outside shot goes to “Atonement.”
One thing certain: Daniel Day-Lewis will get the Best Actor nod for “Blood.” He’s overdue from “Gangs of New York,” for one thing. For another, he’s just great as the increasingly obsessed, crazy oil man Daniel Plainview. It’s his night.
Best Actress isn’t so simple. The Academy’s sympathies probably lie with Julie Christie in “Away from Her.” She’s just a terrific Hollywood story, with friends and former lovers in the higher echelons. Marion Cotillard was wonderful as Edith Piaf in “La Vie En Rose,” but the movie’s in French and Cotillard is lovely but still very much an unknown quantity.
Then there’s the question of Ruby Dee. The beloved actress won the SAG Award for her work in “American Gangster,” but she’s up against formidable competition. Amy Ryan is a “discovery” in “Gone Baby Gone” and has picked up a lot of critics’ awards. But Cate Blanchett as Bob Dylan in “I’m Not There” is simply amazing. I vote for Blanchett. Whoever wins will get it by just a few votes.
That leaves Best Director. Or directors. The Coens won the Directors Guild Award, so we can pretty much assume they have the Oscar sewn up.
Paul Thomas Anderson did his best work ever in “Blood.” Tony Gilroy made “Michael Clayton” rise above the average studio fare. Julian Schnabel made an almost perfect film in “The Diving Bell and the Butterfly” and has won a bunch of awards and great notices, but very few people have still seen this film.
The only real shock might come from Jason Reitman. “Juno” is his second solid film in a row (after “Thank You for Smoking”). And here’s something key about “Juno”: it’s the rare $100 million indie hit. Hollywood respects that. Reitman could give the Coens a run for their money.
A couple of other Oscars: Best Song should go to the “Once” team of Glen Hansard and Markéta Irglová for “Falling Slowly.” I ran into the pair last week in Amoeba Records, trailed by the New York Times’ intrepid Jamie Diamond for a Style section piece. I keep hearing bad things about Hansard’s manager and that maybe their PR hasn’t been handled so well. But they should win unless Disney’s “Enchanted” floods the ballot box.
Finally, Best Documentary should go to Michael Moore’s “Sicko.” Moore has been unusually low-key this year, and “Sicko” should clean up because of it. But don’t count out “No End in Sight,” Charles Ferguson and Audrey Marss' exceptional account of the Iraq war.