Curt Swan is another:
https://en.wikipedia.org/wiki/Curt_SwanCurt Swan, whose Swedish grandmother had shortened the original family name of Swanson, was the youngest of five children. Father John Swan worked for the railroads; mother Leontine Jessie Hanson[2] had worked in a local hospital.[citation needed] As a boy, Swan's given name – Douglas – was shortened to "Doug," and, disliking the phonetic similarity to "Dog," Swan thereafter reversed the order of his given names and went by "Curtis Douglas," rather than "Douglas Curtis."[3]
Having enlisted in Minnesota's National Guard's 135th Regiment, 34th Division in 1940, Swan was sent to Europe when the "federalized" division was shipped initially to Northern Ireland and Scotland. While his comrades in the 34th eventually went into combat in North Africa and Italy, Swan spent most of World War II working as an artist for the G.I. magazine Stars and Stripes. While at Stars and Stripes, Swan met writer France Herron, who eventually directed him to DC Comics.[4]
During this period Swan married the former Helene Brickley, who he had met at a dance at Fort Dix, New Jersey, and who was stationed near him in Paris in 1944 as a Red Cross worker; they were married in Paris on April 1945.[5] Shortly after returning to civilian life in 1945 he moved from Minnesota to New Jersey and began working for DC Comics.[6] Apart from a few months of night classes at the Pratt Institute under the G.I. Bill, Swan was an entirely self-taught artist.[7] After a stint on Boy Commandos he began to just pencil pages, leaving the inking to others.
Initially, Swan drew many different features, including "Tommy Tomorrow" and "Gangbusters",[6] but slowly he began gravitating towards the Superman line of books. His first job pencilling the iconic character was for Superman #51 (March–April 1948).[8][9] Many comics of the 1940s and 1950s lacked contributor credits, but research shows that Swan began pencilling the Superboy series with its fifth issue in 1949.[10] He drew the first comics meeting of Superman and Batman in Superman #76 (May–June 1952).[11] The two heroes began teaming on a regular basis in World's Finest Comics #71 (July–Aug. 1954) in a story which was also drawn by Swan.[12] Swan always felt that his breakthrough came when he was assigned the art duties on Superman's Pal, Jimmy Olsen, in 1954.[13]
Swan didn't take to line editor Mort Weisinger's controlling style. Swan discussed this period in an interview: "I was getting terrible migraine headaches and had these verbal battles with Mort. So it was emotional, physical. It just drained me and I thought I'd better get out of here before I go whacko." After leaving comics for the advertising world in 1951, Swan soon returned, for National's higher paychecks. And as biographer Zeno notes, "The headaches went away after [Swan] gained Weisinger's respect by standing up to him."[13]
Around 1954, Swan unsuccessfully pitched an original comic strip for newspaper syndication. Called Yellow Hair, it was about a blond boy raised by Native Americans.[14] A couple of years later, starting with the episode of June 18, 1956, Swan drew the Superman daily newspaper comic strip, which he continued on until November 12, 1960.[15]
In the view of comics historian Les Daniels, Swan became the definitive artist of Superman in the early 1960s with a "new look" to the character that replaced Wayne Boring's version.[16] The Composite Superman was co-created by Swan and Edmond Hamilton in World's Finest Comics #142 (June 1964).[17] Swan and writer Jim Shooter crafted the story "Superman's Race With the Flash!" in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers.[18] Over the years, Swan was a remarkably consistent and prolific artist, often illustrating two or more titles per month. Swan remained as artist of Superman when Julius Schwartz became the editor of the title with issue #233 (Jan. 1971), and writer Denny O'Neil streamlined the Superman mythos, starting with the elimination of Kryptonite.[19] Among Swan's contributions to the Superman mythos, he and writer Cary Bates co-created the supervillains Terra-Man[20] and the 1970s version of the Toyman[21] as well as the superhero Vartox.[22] Writer Martin Pasko and Swan created the Master Jailer character in Superman #331(January 1979).[23]
