This is the guy who also posts as He Who Wanders, writin' atcha. I'm posting under an alt. ID because I can never remember my password when I'm at work, so it's easier to just register under a new name. (Besides, multiple personalities are
de rigeuer among the LMB.
![[wink]](images/icons/wink.gif)
)
Why an off-the-cuff review? Because I'm wearing short sleeves. (Just joking. They're actually long.) Really, because, 1) I don't have the issue in front of me, so I'm winging it, and 2) I haven't checked out the other comments on the issue yet. It's not that I don't want to read what others have said. In fact, I can't wait to get a dialogue going, or join the one already in progress. But I find it's easier for me if I get my thoughts down first. This way, they are my own thoughts, uninfluenced by others. Which means I can either take credit for wondrous observations or make a total fool of myself. You decide.
LEGION # 21 ...
Just when we thought it was safe to root for a 31st century villain again, DnA throw us for a loop, or do they? Without warning, Legion World is invaded by Darkseid and his minions of Apocalypse, who overrun the place, keeping our heroes on the defensive, and overwhelming them with a space whatsit that dwarfs Legion World by, oh, several planet sizes. Our heroes are seemingly done for, just as they were when Robotica invaded, or Ra's al Ghul invaded, or the Blight, or ...
Or are they?
DnA pull a fast one in the middle of the issue by having two heroines see the truth of what is really happening. But they can't do much good yet, so they have to make a bee-line for an unstable threshold gate, through which, if they survive the transit, they hope to hook up with a pair of familiar allies.
As with last issue's foray into Saturn Girl's dream world, DnA are playing fast and loose with the element of surprise here. The Legionnaires don't know what is really happening, and neither do we, the readers, for awhile. It's a gambit that works quite effectively here. Just when I was starting to groan about DnA having only one type of story to tell (the invasion angle), they pulled the holographic floor out from under me. The plunge into the realm of the unexpected was worth it.
What's that about fool me twice?
Unfortunately, the element of surprise is mostly what LEGION # 21 has to offer. There's a hint of a development in the ongoing Ultra Boy/Apparition subplot, when she tries to confront him over his dalliance with Saturn Girl. But their scene is quickly interrupted by the crisis-not-really-in-progress. There's also a cliffhanger of something happening to their super-growing baby, Cub -- or is that more of Universo's illusion?
Sensor, the snake-turned-something-else, has a major role in this story. Not only has her appearance changed drastically, but so has her personality. She has a harder edge to her. Gone is the graceful nobility of her old self, it seems. It's too soon to tell whether or not this change is any good for the character, and, although it makes sense that she would experience serious psychological and emotional issues over her transformation, I was still hoping for at least a hint of the graceful creature we got to know previously. That didn't come across here.
Nitpicky continuity point: How did Sensor know who Universo is, when all of the events of his only previous postboot appearance (TITANS/LEGION: UNIVERSE ABLAZE) were erased from the memory of everyone involved?
Batista has a lot to offer as an artist, and I have no problems with his artwork. He incorporates the quirky, kinetic energy that made Olivier Coipel such a fan favorite, but brings his own, fresh look to the characters and their setting. The full-page spread of Legion World being dwarfed by the vessel from Apokolips was as magnificent as any of Coipel's landscapes or space scenes. He also makes Sensor look both attractive and menacing at the same time, a hard thing to do, I imagine, considering how unusual she now looks.
So, this was a good issue. But, like many of DnA's stories, I feel the pacing is too slow and that the storyline is padded for the sake of making it a four-parter. It probably could have been done more effectively in two or three issues.
Story: C+
Art: B+
Overall: B-