But one thing that'll always make me cringe is the part where Dan and Laurie cross Walter Kovacks in the street and there's a shot of him, and then a shot of Dan looking back. Why couldn't it be a long shot with the guy just standing there, waiting for the watcher to notice on second viewing? Why does every clever detail have to be a close up? That's indicative of everything I hate about Snyder's directing (AND THE WORLD), both in style and in substance.
