Be ye warned... thar' be spoilers here!
Issue One
Non-linear storytelling is a great thing. At least, I think so. Maybe that's why I love Tarantino movies,
Memento, and the TV series "Lost." When it comes to comics, I can't really recall a book that's really done much with the concept, aside from Alan Moore's groundbreaking
Watchmen.
Until now.
Damon Lindelof, co-creator and writer of the aformentioned "Lost," pens what promises to be a fabulous title - the new
Ultimate Wolverine vs. Hulk. I'll admit that I was incredibly skeptical about this title when I first heard about it. Firstly, anything that's hyped considerably makes me arch my eyebrows in credulity (and yet, for some reason, I still manage to buy titles like
Identity Crisis and
Infinite Crisis). I'm arching my brows even higher when the book is published by Marvel as, by and large, I'm a DC junkie myself.
However, this book had two things going for it when it came out last November. The first was that I had just rented and watched the entire first season of "Lost" on DVD and absolutely loved it. The fact that Lindelof was on this comic intrigued me, to say the least. The second thing it had going for it was one panel of artwork. Well... actually it was a two-page spread, but it was essentially one panel... I think.
The piece of art in question?
Pretty sweet, no?
At any rate, I'd been lured in by Lindelof's writing and Francis Leinil Yu's (
Superman Birthright,
High Roads) pencils, which, I suppose, is really all any comic fan is asking for - a good story and good art. But would
Ultimate Wolverine vs. Hulk stand on its own?
Story-wise, this book draws its reader in by page two which, incidentally, is the location of the splash page I mentioned. Wolverine wakes up to find that his legs have been ripped from his body and chucked four miles up one of the Himalayan Mountains. Talk about a bad day...
But how did Logan come to be in this mess in the first place? Rewind an indeterminate amount of time (in typical non-linear style) to a meeting between Logan and S.H.I.E.L.D. director and leader of the Ultimates, General Nick Fury. Fury recruits Wolvie to cover up the fact that it appears that they didn't finish off Banner as they should have (in the pages of
Ultimates 2). The evidence that Hulk survived? Several disturbances around the world - a bombed building in Paris, a cattle massacre in Ireland, and an earthquake in India... not to mention a rather large stool sample, complete with an undigested human finger.
Throughout the story, Wolverine's dialogue is kept crisp, cool, and consistent with his character. Everything he says is something that I could actually see him saying in just about any book. He's curt but evasive, brusque but playful, defensive but nonchalant. I can certainly say this for Lindelof - he writes a good Logan.
Wolverine follows the scent of the Hulk's serum (flowing through his veins) to Tibet, where he notices a town devoid of any females whatsoever. Following his nose, Wolverine ends up in a Tibetan temple high in the Himalayas... and finds himself smack dab in the middle of a Hulk-orgy, with every (beautiful, I might add) woman of the community represented as a part of the beasts harem.
Damn, it's good to be the Hulk!
And, with a
snikt of his claws in the last panel, you're absolutely pumped for the fight to start in Issue Two... but, according to the 'next issue,' we'll be finding out just how Banner managed to get himself into this admittedly favorable predicament.
All told, this is a good starting issue. It gets the audience interested immediately and does not disappoint as Logan's part in this affair unfolds. Lindelof re-proves what Alan Moore already showed us with
Watchmen - that non-linear storytelling can work quite well as a part of the comic book medium. After this issue, I was completely sold. If nothing else, the splash page and the page with the Hulk and his harem are worth the $2.99 price tag. A steep asking price, sure... but if the rest of the story holds up to this first issue, it'll more than be worth it to pick it up.